"Family Man" was just on TV and I watched it again, of course.
Every year between Thanksgiving and Christmas, I look forward to three movies that tap into the holiday spirit within me: "A Charlie Brown Christmas," "A Christmas Story," and "It's A Wonderful Life." Like these three, "Family Man" is funny and sweet (what many would deem sentimental and corny) and it makes me weepy and wistful and wonder-struck. This is just what I welcome in a feel-good Christmas movie and so it has become, for me, another must-see holiday "classic."
In "Family Man" Nicholas Cage portrays hardcore yuppie-with-a-bullet Jack Campbell, who is living the really, really good life replete with expensive toys, automobiles and gadgets and the poshest of sleek, expensive New York condos. As might be expected, he is also as successful with women--in a callow, impersonal way--as he is in the business of arbitrage.
Jack was not always this person. When the film opens he is waiting for his flight to London for an incredible career opportunity. This means a year separated from his sweetheart Kate Reynolds (Tea Leoni), who is very afraid that their relationship will not survive their year apart. So when next we see Jack on Christmas Eve some years later, the fact that he has become this hard-edged, calculating businessman suggests that Kate's fears were realized.
Life as he knows it is comically upturned, however, when that evening he intercedes in a tense situation at a convenience store and has a fateful interaction with a cynical stranger (played with wonderful glee by Don Cheadle). He awakens Christmas morning to find that he 1) lives in New Jersey, 2) is married with children. and a dog, 3) works at a tire emporium, 4) is on a bowling league, and 5) is unable to buy Armani suits(!).
Is he stuck in an alternate reality? Or having a very intense bad dream? Or is it, as the Don Cheadle character explains, merely "a glimpse" of another existence that might have been?
Jack's hapless bewilderment at the many tedious elements of this painfully ordinary life is a comical delight to watch. Even more delightful is the predictable yet touching unfolding as he begins to realize how very extra-ordinary a life it is.
The charm of “Family Man” is in experiencing the fantasy of what might have been or what could be, if one rewound and took a different life path. Most of all, the possibility of a second chance at having a life even more worth living, with loved ones, and with oneself being a much, much better person, is irresistibly heartwarming . . . just what I'd expect in a movie for the holiday season and, in fact, for all seasons.